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Design & Research on
Visual Identity Politics and Remix Society
Portfolio
Ongoing Research #1: Huey Remixed
Out Now: The Book!
Out Now: The Movie!
Out Now: The Shirt!
About Huey Remixed
The Sample
Found Footage
Criteria For Selection
The Remix
The Timeline
The Timeline 1967-70: Free Huey!
The Timeline 1970s: Pop.Cultural Remix
The Timeline 1990s: The Hip-hop Era
The Timeline 21C: The Age of Internet
The Black Panther Party Playlist
The Legacy of The Panthers
Jailbird in a Peacock Chair
The Original
“A Black Urban Warrior”
The Context
Short history of the Black Panther Party
Sampled History 66/67
Sampled History 1968
Sampled History 1969
Sampled History 1970
Sampled History 1971
Sampled History 72/82
Sources & Credits
Design Research #0:
On Classification
1. Introduction
Welcome & Motivation
Research Question & Project Outline
2. Creating a database
3. Visual Analyses
Typology
Stereotypology
Designing Dialogues
— On Citizenship
— On R’dam Noord
4. Conclusion
Sources & References
About
About the Studio For Visual Pop.Culture
About Mark Mulder
About Post-what.com
The Post-what Reading Guide
Contact & Mailing
Collections
Blackbook
Encyclopedia of —isms
Everyday People Every Day
Identity politics
Incomplete timeline of human classification
Portfolio
Products of Research
Race-ism
Re-mix
Reading stuff
Stereotypes
Tags
United States
Huey P. Newton
classification
Oakland
The Netherlands
Black Panther Party for Self-defence
race
racism
New York
art
slavery
black
stereotype
language
Los Angeles
stereotypes
Black Panthers
revolution
Stuart Hall
white privilege
Free Huey
history
white centered
United Kingdom
Poster
Hiphop
blackface
representation
remix
geography
Visual identity
institutional racism
Black Panther Paper
ethnicity
White
Afrofuturism
identity
skin colour
Emory Douglas
Society of the Spectacle
education
inspiration
design research
Rotterdam
race as a cultural/social construct
racial joke
San Francisco
activism
Beyoncé
black woman
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Search for:
Black Pete is Blackface
“Wie zoet is krijgt lekkers…” a.k.a. How candy and exotic delicacies are use to display racial stereotypes
Banania
Bloodorange
cheese
chocolate
coffee
exotic foods
licorice
Nutella
products from the colonies
race as a commodity
slavery
Syrup waffle
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Institutional Racism
Coca cola 2nd live commercial
Asia
Coca Cola
etnicity
globalisation
missionary
patriarch
post-colonialism
race as a commodity
social design
Vietnam
Coca Cola 2nd Lives
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The Mammy
Aunt Jemima Siropbottle
Aunt Jemima
black
Donald Bogle
female
housemaid
Mammy
race as a commodity
slavery
stereotype
submissive
Found in Vancouver (CA). December 2013
21C Mythologies
Identity politics
Who’s afraid of Red, Green and Black?
advertising
black
counterculture
flag
Ford
green
panafrican
race as a commodity
red
The liberation Song
Advertisement found in Volkskrant Magazine, inside cover (p2), Sa January 27, 2007.
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