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Design & Research on
Visual Identity Politics and Remix Society
Portfolio
Outline of Research on Visual Remix Strategies
Research into Remix: Huey Remixed
About Huey Remixed
Credits
Out Now! The Timeline
Out Now: The Book!
Out Now: The Movie!
Out Now: The Shirt!
The Book: Reviews.
My First Huey…
The Sample
Found Footage
Criteria For Selection
The Remix
The Timeline of Found Footage
The Timeline: Index
The Timeline 1967-70: Free Huey!
The Timeline 1970s: Pop.Cultural Remix
The Timeline 1990s: The Hip-hop Era
The Timeline 21C: The Age of Internet
The Black Panther Party Playlist
The Legacy of The Panthers
Weapons of revolution
We are Soldiers in Huey’s Army
The Original
“A Black Urban Warrior”
Jailbird in a Peacock Chair
History of a Panther logo
The Context
Short history of the Black Panther Party
Sampled History 66/67
Sampled History 1968
Sampled History 1969
Sampled History 1970
Sampled History 1971
Sampled History 72/82
Panther Power: Sloganism
Sources & References
Design Research #0:
On Classification
1. Introduction
Welcome & Motivation
Research Question & Project Outline
2. Creating a database
3. Visual Analyses
Typology
Stereotypology
Designing Dialogues
— On Citizenship
— On R’dam Noord
4. Conclusion
Sources & References
About
About the Studio
Pop.Positions
How we work
About Mark Mulder
Contact & Mailing
Collections
Blackbook
Encyclopedia of —isms
Identity politics
Incomplete timeline of human classification
Portfolio
Race-ism
Re-mix
Stereotypes
Tags
United States
Huey P. Newton
classification
Oakland
The Netherlands
Black Panther Party for Self-defence
race
racism
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art
remix
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language
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stereotypes
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Stuart Hall
white privilege
Free Huey
design research
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white centered
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Visual identity
representation
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blackface
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geography
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Black Panther Paper
Rotterdam
skin colour
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institutional racism
Society of the Spectacle
activism
Website
race as a cultural/social construct
Afrofuturism
inspiration
San Francisco
racial joke
Emory Douglas
ethnicity
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