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Design & Research on
Visual Identity Politics and Remix Society
Portfolio
Ongoing Research #1: Huey Remixed
Out Now: The Book!
About Huey Remixed
The Sample
Found Footage
Criteria For Selection
The Remix
Stage 1/4: Black Panther Party
Stage 2/4: Pop.Cultural Appropriations
Stage 3/4: 1990s-now: The Hip-hop Era
Stage 4/4: 21C-now: Internet & Social Media
The Black Panther Party Playlist
The Remix: The Legacy of a Panther in our pop.cultural imagination
The Original
“A Black Urban Warrior”
Jailbird in a Peacock Chair
The Context
Short history of the Black Panther Party
Sampled History 66/67
Sampled History 1968
Sampled History 1969
Sampled History 1970
Sampled History 1971
Sampled History 72/82
Sources & References
Design Research #0:
On Classification
1. Introduction
Welcome & Motivation
Research Question & Project Outline
2. Creating a database
3. Visual Analyses
Typology
Stereotypology
Designing Dialogues
— On Citizenship
— On R’dam Noord
4. Conclusion
Sources & References
About
About the Studio For Visual Pop.Culture
About Mark Mulder
About Post-what.com
The Post-what Reading Guide
Contact & Mailing
Collections
Blackbook
Encyclopedia of —isms
Everyday People Every Day
Identity politics
Incomplete timeline of human classification
Portfolio
Products of Research
Race-ism
Re-mix
Reading stuff
Stereotypes
Tags
United States
Huey P. Newton
classification
Oakland
The Netherlands
Black Panther Party for Self-defence
race
racism
New York
art
slavery
black
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language
Los Angeles
stereotypes
Black Panthers
revolution
Stuart Hall
white privilege
Free Huey
Poster
white centered
United Kingdom
Hiphop
history
blackface
representation
institutional racism
geography
Visual identity
Black Panther Paper
ethnicity
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identity
skin colour
Emory Douglas
remix
San Francisco
inspiration
racial joke
Rotterdam
race as a cultural/social construct
education
Society of the Spectacle
popculture
activism
Becky
black woman
[+]
Search for:
Reading stuff
John Berger’s Ways of Seeing #4 (1972)
art
consumerism
desires
dream
glamour
John Berger
marxism
Mirror
oil painting
Publicity
semiotics
United Kingdom
Ways of Seeing
Ways of Seeing (1972) by John Berger, BBC Four
[+]
Representation&Semiotics
John Berger’s Ways of Seeing #3 (1972)
anti-capitalism
colonising
Holbein
John Berger
materialisation
ownership
possession
pride
property
Rembrandt
representation
symbols of power
tangibility
United Kingdom
Vermeer
Ways of Seeing
Ways of Seeing #3 by John Berger
[+]
Representation&Semiotics
John Berger’s Ways of Seeing #2 (1972)
art
BBC
being available
European perspective
eye of the beholder
gender
John Berger
maked
male gaze
nude
objectification
oil painting
passiveness
power
sexual
sexualising
shame
submission
United Kingdom
western
Ways of Seeing #2 by John Berger
[+]
Representation&Semiotics
John Berger’s Ways of Seeing #1 (1972)
art
authenticity
camera
Carravagio
context
European perspective
eye of the beholder
false mystery
gender
habit and convention
images
John Berger
language
Leonardo Da Vinci
making meaning
oil painting
original
photography
relic
situation
Walter Benjamin
Ways of Seeing
Ways of Seeing by John Berger
[+]
Blackbook
Sometimes a book isn’t just a book.
fear
John Berger
language of fear
New York
remix
Rene Magritte
terrorism
United States
Ways of Seeing
After Magritte. La Clef des songes (The Interpretation of Dreams). Brussels, 1935
[+]
Encyclopedia of —isms
L
Language
John Berger
Stuart Hall
system
“When we look at culture from the perspective of a practice of giving meaning, than language is the tool to give meaning with.”
—Stuart Hall
[+]