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Design & Research on
Visual Identity Politics and Remix Society
Portfolio
Outline of Research on Visual Remix Strategies
Research into Remix: Huey Remixed
About Huey Remixed
Credits
Out Now! The Timeline
Out Now: The Book!
Out Now: The Movie!
Out Now: The Shirt!
The Book: Reviews.
My First Huey…
The Sample
Found Footage
Criteria For Selection
The Remix
The Timeline of Found Footage
The Timeline: Index
The Timeline 1967-70: Free Huey!
The Timeline 1970s: Pop.Cultural Remix
The Timeline 1990s: The Hip-hop Era
The Timeline 21C: The Age of Internet
The Black Panther Party Playlist
The Legacy of The Panthers
Weapons of revolution
We are Soldiers in Huey’s Army
The Original
“A Black Urban Warrior”
Jailbird in a Peacock Chair
History of a Panther logo
The Context
Short history of the Black Panther Party
Sampled History 66/67
Sampled History 1968
Sampled History 1969
Sampled History 1970
Sampled History 1971
Sampled History 72/82
Panther Power: Sloganism
Sources & References
Design Research #0:
On Classification
1. Introduction
Welcome & Motivation
Research Question & Project Outline
2. Creating a database
3. Visual Analyses
Typology
Stereotypology
Designing Dialogues
— On Citizenship
— On R’dam Noord
4. Conclusion
Sources & References
About
About the Studio For Visual Pop.Culture
About Mark Mulder
About Post-what.com
The Post-what Reading Guide
Contact & Mailing
Collections
Blackbook
Encyclopedia of —isms
Everyday People Every Day
Identity politics
Incomplete timeline of human classification
Portfolio
Products of Research
Race-ism
Re-mix
Reading stuff
Stereotypes
Tags
United States
Huey P. Newton
classification
Oakland
The Netherlands
Black Panther Party for Self-defence
race
racism
New York
art
remix
stereotype
black
slavery
language
Los Angeles
stereotypes
white privilege
Poster
Black Panthers
revolution
Stuart Hall
Free Huey
design research
United Kingdom
white centered
Hiphop
history
representation
White
blackface
t-shirt
Visual identity
institutional racism
ethnicity
geography
Rotterdam
Black Panther Paper
identity
skin colour
Society of the Spectacle
popculture
activism
inspiration
Afrofuturism
race as a cultural/social construct
education
San Francisco
Emory Douglas
racial joke
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Search for:
Black Panther Party
A Panther’s Legacy: How the Panther’s visual rhetoric remains part of our pop.cultural imagination
Amsterdam
Bijlmer
Black Lives Matter
Black Panther Party for Self-defence
College Humor
Da 5 bloods
Dallas
Decatur
Elaine Brown
Emory Douglas
Forrest Gump
Georgia
Gravillis Inc.
Hiphop
Martin Bosma
Nelson Mandelapark
Netflix
New Black Panther Party
NRA
Patta
PVV
Spike Lee
Texas
The Black Archives
The Netherlands
United States
VICE
Found in Kortrijk, Belgium on August 14, 2021
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Encyclopedia of —isms
P
Postracialism
Barack H. Obama
Nana Adusei-Poku
Spike Lee
Sumi Cho
United States
urban dictionary
white norm
“Anyone who thinks we move in a post-racial society is someone who’s been smoking crack” – Spike Lee, 2009
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Race-ism
Spike Lee: ‘Post-Racial America is Bullshit’
blackness
mobile device
Oreo
Post-Racial America
role of media
Spike Lee
The only time it was really caught was Rodney King […] everybody is an investigative reporter now… with a phone.
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1001 streams of whiteness
Spike Lee on Gentrification of BedStuy
Brooklyn (NY)
columbusing
Gentrification
Spike Lee
My father’s a great jazz musician. He bought a house in nineteen-motherfuckin’-sixty-eight, and the motherfuckin’ people moved in last year and called the cops on my father. He’s not — he doesn’t even play electric bass! It’s acoustic!
—Spike Lee
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